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HomeCamera GearAnalogue Adventures – Half 47: Tübingen

Analogue Adventures – Half 47: Tübingen


Analogue Adventures – Half 47: Tübingen
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4

Tübingen is a pleasant city about 40 km south of Stuttgart in southern Germany. In case you are a daily reader you’ll certainly have come throughout footage taken there in one in all my evaluations. This time I used to be solely utilizing a movie digital camera and varied movies from the golden to the blue hour.

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 105mm 1.4 | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 105mm 1.4 | f/1.4

Harman Phoenix 200 ECN-2 

The primary movie I had been utilizing was the Harman Phoenix 200. I wasn’t overly pleased with the outcomes when developed in C-41 so this time the intention was to have it developed in ECN-2.

harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/4.0
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
harman phoenix 200 review nikon f analogue film tübingen ecn-2 f80 f100 f5 f6
Nikon F80 | Harman Phoenix 200 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

As you may see from the samples above: halation, low dynamic vary and considerably odd colours are nonetheless an issue.

Agfa Shade 400 ECN-2

agfa color 400 wolfen nc 400 orwo agfa iso400 asa review nikon f80 f100 f5 f6 analogue film ecn-2
Nikon F80 | Agfa Shade 400 | ECN-2 | Sigma 50mm 1.4 EX | f/5.6
agfa color 400 wolfen nc 400 orwo agfa iso400 asa review nikon f80 f100 f5 f6 analogue film ecn-2
Nikon F80 | Agfa Shade 400 | ECN-2 | Sigma 50mm 1.4 EX | f/5.6
agfa color 400 wolfen nc 400 orwo agfa iso400 asa review nikon f80 f100 f5 f6 analogue film ecn-2
Nikon F80 | Agfa Shade 400 | ECN-2 | Sigma 50mm 1.4 EX | f/2.8

The following movie I picked was Agfa Shade 400 – a movie intently associated to the Wolfen NC 500 I already had a take a look at earlier than.

agfa color 400 wolfen nc 400 orwo agfa iso400 asa review nikon f80 f100 f5 f6 analogue film ecn-2
Nikon F80 | Agfa Shade 400 | ECN-2 | Sigma 50mm 1.4 EX | f/2.8
agfa color 400 wolfen nc 400 orwo agfa iso400 asa review nikon f80 f100 f5 f6 analogue film ecn-2
Nikon F80 | Agfa Shade 400 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
agfa color 400 wolfen nc 400 orwo agfa iso400 asa review nikon f80 f100 f5 f6 analogue film ecn-2
Nikon F80 | Agfa Shade 400 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

By way of colours I observed quite a lot of similarities with the Wolfen 500 NC: every thing has an orangey/crimson shade forged. I usually discovered this movie to be moderately predictable with first rate dynamic vary – simpler to make use of than the Harman Phoenix 200 for positive.

agfa color 400 wolfen nc 400 orwo agfa iso400 asa review nikon f80 f100 f5 f6 analogue film ecn-2
Nikon F80 | Agfa Shade 400 | ECN-2 | Sigma 50mm 1.4 EX | f/4.0
agfa color 400 wolfen nc 400 orwo agfa iso400 asa review nikon f80 f100 f5 f6 analogue film ecn-2
Nikon F80 | Agfa Shade 400 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
agfa color 400 wolfen nc 400 orwo agfa iso400 asa review nikon f80 f100 f5 f6 analogue film ecn-2
Nikon F80 | Agfa Shade 400 | ECN-2 | Sigma 50mm 1.4 EX | f/2.8
agfa color 400 wolfen nc 400 orwo agfa iso400 asa review nikon f80 f100 f5 f6 analogue film ecn-2
Nikon F80 | Agfa Shade 400 | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

Silbersalz 125T ECN-2

When it began getting darkish I loaded the Silbersalz 125T – one in all my favourite movies for taking pictures below synthetic gentle however uncommon and moderately costly.

Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Sigma 50mm 1.4 EX | f/4.0
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

When there was nonetheless some daylight you may see some orange/inexperienced teint, reds come out very punchy and saturated although.

Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Sigma 50mm 1.4 EX | f/1.4

The place this movie actually shines for me is below synthetic and blended gentle, as was the case within the following examples:

Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Sigma 50mm 1.4 EX | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4

This can be a movie I might undoubtedly refill on some rolls if it was simply attainable. 

Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4
Silbersalz silbersalz35 125t vivid edition fuji eterna tungsten analogue analog ecn-2
Nikon F80 | Silbersalz 125T | ECN-2 | Nikon AF-S 28mm 1.4E | f/1.4

Ektachrome 320T E-6

Within the midst of the blue hour I loaded an expired Ektachrome 320T slide movie. As you may simply see from the next samples: its dynamic vary was severly restricted. It additionally wanted some shade correction in put up, however afterwards the colours appeared fairly alright truly.

ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Sigma 50mm 1.4 EX | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Sigma 50mm 1.4 EX | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Sigma 50mm 1.4 EX | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6
ektachrome kodak 320t tungsten slide film germany tübingen deutschland review nikon f analogue film hamburg germany f80
Nikon F80 | Nikon AF-S 28mm 1.4E | Kodak Ektachrome 320T | E-6

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My identify is Bastian and I’m your knowledgeable right here with regards to extremely broad angle lenses, tremendous quick portrait lenses (starting from a 50mm f/0.95 to a 200mm f/1.8) and I even have reviewed means too many 35mm lenses.
Do not ask me something about macro or wildlife taking pictures although.



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